Good rap for troubled kids
Encore Theatre volunteer Helen Riddell offers grandmotherly love to kids in detention.

By Kelly Fenley

©2005 Eugene Reister-Guard

Used by permission

 

January 30, 2005

Some of these kids, namely those locked up for the most dreadful crimes, only someone like a grandmother could love. So what does mighty-mite Helen Riddell do but “love them like grandkids.”

She does it as a volunteer with Encore Theatre, a traveling troupe of everyday seniors willing to ham up their own humanity for building rapport with youngsters. Troupe volunteers are quick to say they’re not actors, and often are quite different from one another in their values and ideologies. Yet, together they can leave even broken hearts smiling again.

Along with gigs at many schools, Encore seniors also visit juvenile detention centers across Oregon, including the John Serbu Youth Campus in Eugene. Riddell (pronounced ri-dale) enjoys visits to the juvenile centers most of all.

“We don’t judge; we just love them,” says the retired school teacher, mother of four and grandmother of four. “They want to call me grandma. They want to, and they do. And they want us to write them letters.” Which she does.

The compassion and humor Riddell brings the teens and young adults makes it easy to see why she’s been honored as the first volunteer of the month by Community Leaders Together, a new effort by the Register-Guard, United Way of Lane County and eight local businesses to promote volunteerism and corporate citizenship.

Encore Theatre volunteers regale younger people with original song and dance numbers written by fellow performer Lydia Lord. A sure crowd pleaser is “Stereotype Rap,” which Riddell starts off by rapping, “A stereotype is a way to feel if you won’t take the time to learn what’s real.”

She and other troupe members indeed get real for their audience. With theatrical prompts from Encore director and founder Eliza Roaring Springs, Riddell shares that her brother died of alcohol abuse, that her mother hocked her wedding ring to feed her family during the Depression, and that if Riddell could be any mode of transportation it would be a roller-coaster.

Raised in Portland, she attends her high school reunion there every year. “And I see my boyfriend,” she confides during the show. “It’s amazing what an old man he is.” Laughter helps the kids put their guard down and empathize with a generation that suddenly doesn’t seem so much different than their own. Workshops after the show allow troupe members to bond one-on-one with kids.

 

“She’s a favorite ‘grandma’ to a lot of the boys who are locked up,” says director Roaring Springs, who nominated Riddell for the volunteer of the month award. “That grandmotherly acceptance, not judging but just loving them – most of these kids have never received that. I think one reason the program is so effective for kids is that they are so starved for adult interaction and caring. They feel like throwaways.”

At 81, twice-widowed Riddell is the eldest of the 30-member senior troupe and one of its driving forces. She doesn’t get a dime for her time with Encore, and truth be known she’s shy at heart.

“I was never a performer, but I always wanted to be,” she allows. “I think we all have a little hambone in us.”

Fellow Encore members call Riddell their hummingbird, mostly for her nonstop volunteer work behind the scenes but also because of her petite size. “I’m just short on one end,” she quips when asked about her height, which peaked at 4-feet, 10 and three-quarter inches before ebbing a skosh in recent years.

She can laugh about it, but one reason Riddell founded a preschool at her St. Mark’s Catholic Church in Eugene back in the early ‘70s was to finally teach children shorter than herself. Earlier she had taught at Clear Lake Elementary School in Eugene, where even some of those grade schoolers stood a hair taller.

“It’s true,” she allows. “But you know, I never feel short. And I think tall.”

No arguments there.

“Helen gives hundreds and millions and thousands of hours, constantly,” effuses Roaring Spring.

Whenever someone gives money to the troupe – and it survives solely on private and community grants and donations – Riddell responds with a personal phone call of thanks. That’s added up to thousands of calls since Riddell, one of the troupe’s eight original members, joined Encore when it was founded in 1997. What’s more, Riddell also volunteers at St. Mark’s Catholic Church and the Audubon Society, and in the ‘90s served as an ombudsman at a local nursing home.

Her Encore work hasn’t been good medicine just for kids. On this mild winter day, Riddell has been a little under the weather with a cold and flare-up of asthma. But she wasn’t about to miss a special lunchtime performance for the Eugene Kiwanis Club, and felt re-energized after the show.

“You’re not just concentrating on yourself like you do when you’re just sitting at home,” she explains. “The seniors I know today, they all volunteer if they possibly can. We want to feel like we’re worth something being here. I don’t want a free ride.”

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